A friend showed my Streamago the other day and while I haven't really played with it too much, it looks like it could be a handy (largely FREE) resource to stream video and post videos of limited size.
Ya know, for when Youtube isn't "classy" enough for a client or for when Wistia isn't cooperating with some browser.
Thursday, June 9, 2011
Macrumors Posts FCPX and Motion X Alleged Screenshots
Have a look here, before they get pulled. They were already pulled from the original source apparently.
Thursday, June 2, 2011
Uploading Videos to File Sharing Sites
Here's a quick tip: When a client wants you to upload some selects or some rough edits to some video sharing site, many support multiple simultaneous uploads.
Try highlighting (using Shift or Command) more than one video in the upload window and then hit send or upload or whatever the button is and see if you can upload more than one at a time.
It saves time but I was a bit surprised that more people don't try it.
Try highlighting (using Shift or Command) more than one video in the upload window and then hit send or upload or whatever the button is and see if you can upload more than one at a time.
It saves time but I was a bit surprised that more people don't try it.
Saturday, May 28, 2011
Loader organizing software
Loader from Digital Heaven…
"…works alongside Final Cut Pro (launching and quitting automatically) and appears as a small tab on the left side of the screen. When tracks from iTunes or files/folders from the Finder are dragged onto the tab, it slides out to reveal a list of projects currently open in Final Cut Pro. After dropping the items onto the desired project, Loader copies them in the background to the assigned media folder linked to that project. In addition, those audio file formats that don't play nicely in Final Cut Pro (.caf, .m4a and mp3) are automatically converted to an AIFF file before import. When the copy is complete then the copied files are sent to a new bin in Final Cut Pro.
Loader also offers the ability to sort copied media into subfolders according to the file extension. By default, subfolders are automatically created for audio, graphics and movie file types and settings can be changed at any time to suit specific requirements."
"…works alongside Final Cut Pro (launching and quitting automatically) and appears as a small tab on the left side of the screen. When tracks from iTunes or files/folders from the Finder are dragged onto the tab, it slides out to reveal a list of projects currently open in Final Cut Pro. After dropping the items onto the desired project, Loader copies them in the background to the assigned media folder linked to that project. In addition, those audio file formats that don't play nicely in Final Cut Pro (.caf, .m4a and mp3) are automatically converted to an AIFF file before import. When the copy is complete then the copied files are sent to a new bin in Final Cut Pro.
Loader also offers the ability to sort copied media into subfolders according to the file extension. By default, subfolders are automatically created for audio, graphics and movie file types and settings can be changed at any time to suit specific requirements."
also
"Some types of audio formats don't play very well with Final Cut Pro so if you drop an mp3, AAC or Core Audio Format (.caf) file onto Loader then it will automatically convert it to an AIF file."
It's $79.00 but if you find yourself in FCP and doing lots media ingesting and organizing this could be a fairly handy timesaver. I haven't tried it yet and it seems a tad pricey and word on the street is that it copies all your media which could be an issue if you have large assets and limited space but it could eliminate some hassles which is always a good thing.
Check it out here.
It's $79.00 but if you find yourself in FCP and doing lots media ingesting and organizing this could be a fairly handy timesaver. I haven't tried it yet and it seems a tad pricey and word on the street is that it copies all your media which could be an issue if you have large assets and limited space but it could eliminate some hassles which is always a good thing.
Check it out here.
Monday, May 23, 2011
Making 1920 x 1080 smaller and keeping the aspect ratio
Just a quick note, when you want to make 1920 x 1080 smaller but keep the same aspect ratio here are the most common sizes:
1080/1920 = 0.5625
For 1920 they're:
1920 x 1080
1440 x 810
960 x 540 (this is half-size)
480 x 270
240 x 135
720/1280 = 0.5625
For 720 they're:
1280 x 720
960 x 540
640 x 360 (this is half-size)
320 x 180
160 x 90
424/640 = 0.6625
For 640 they're:
640 x 424
480 x 318
320 x 212 (this is half-size)
160 x 106
80 x 53
If you like math I posted something about how to calculate your own aspect ratio sizes years ago here.
1080/1920 = 0.5625
For 1920 they're:
1920 x 1080
1440 x 810
960 x 540 (this is half-size)
480 x 270
240 x 135
720/1280 = 0.5625
For 720 they're:
1280 x 720
960 x 540
640 x 360 (this is half-size)
320 x 180
160 x 90
424/640 = 0.6625
For 640 they're:
640 x 424
480 x 318
320 x 212 (this is half-size)
160 x 106
80 x 53
If you like math I posted something about how to calculate your own aspect ratio sizes years ago here.
Saturday, May 21, 2011
PAL to NTSC
If a client gives you a video clip that they want on DVD you'd do well to check that it's NTSC before you convert it to DVD or something, especially if it's something long.
Recently a client handed me a .mp4 file of a long interview that they received from the interviewer. I let it encode in Compressor to DVD only to find out that it was PAL when I went to import it into DVD Studio Pro.
The quickest way to check if something is PAL is to open it in Quicktime and then hit Command + I to open the HUD Info Window. If you see "FPS: 25" it's likely a PAL video.
In compressor, after you've brought the video in, and set it's settings and destination(s) in the Inspector hit the Encoder button (second from left) and you'll see this:
You should be good to go with your NTSC encode/conversion.
Recently a client handed me a .mp4 file of a long interview that they received from the interviewer. I let it encode in Compressor to DVD only to find out that it was PAL when I went to import it into DVD Studio Pro.
The quickest way to check if something is PAL is to open it in Quicktime and then hit Command + I to open the HUD Info Window. If you see "FPS: 25" it's likely a PAL video.
In compressor, after you've brought the video in, and set it's settings and destination(s) in the Inspector hit the Encoder button (second from left) and you'll see this:
Hit the little lock/gear button to the right of the grayed out PAL drop down and it should default to NTSC like this:
Labels:
compressor,
dvd studio pro,
NTSC,
PAL,
troubleshooting
Compressor Won't Stop Compressing
Say for some reason or another you've cancelled a Compressor job but noticed that your temp is still up (if you use something like SMC Fan Control) and the Mac is sluggish it's likely because Compressor has been told by Batch Monitor to keep compressing a file even though you've told it to stop, trashed the output file and anything else. The job's in the que and Compressor is determined to finish it in spite of you.
You'll even find that if you quit the job in Activity Monitor it'll just relaunch and keep on compressing. It'll even keep compressing across a reboot. What do you do?
Launch Batch Monitor (likely in your Utilities Folder, Hit Command + Shift + U to open that folder from the Finder) and hit the nice X stop button (in-between the Pause and Info buttons) to cancel the job. Ignore any complaints from Batch Monitor and just hit the X button again if it does complain.
You'll even find that if you quit the job in Activity Monitor it'll just relaunch and keep on compressing. It'll even keep compressing across a reboot. What do you do?
Launch Batch Monitor (likely in your Utilities Folder, Hit Command + Shift + U to open that folder from the Finder) and hit the nice X stop button (in-between the Pause and Info buttons) to cancel the job. Ignore any complaints from Batch Monitor and just hit the X button again if it does complain.
Friday, May 20, 2011
ProRes Cheat Sheet
I ran across this the other night and thought it was kinda handy.
It's from here and can be handy when someone asks what all the different types are good for.
![]() |
| ProRes Cheat Sheet |
It's from here and can be handy when someone asks what all the different types are good for.
Tuesday, May 17, 2011
Batch Convert Images Without Photoshop
I forgot to mention how I batch resized images from some Timelapses we've been working on since Photoshop CS4 won't open .NEFs from a Nikon D7000.
Use Preview. Yup.
0. Launch Preview and hit Command + (comma) to open it's preferences and under General make sure either "Open all files in one window" or "Open groups of files in the same window" are ticked. This is important.
1. Drag the folder containing all the images for the Timelapse onto Preview's icon.
2. After Preview opens all the images in one window hit Command + A to highlight them all.
3. Goto Tools > Adjust Size… and type in the resize you want or need.
4. Hit Okay, and wait for Preview to do it's thing.
5. Hit either "Save All…" or "Save As…" as per your need.
Done.
Use Preview. Yup.
0. Launch Preview and hit Command + (comma) to open it's preferences and under General make sure either "Open all files in one window" or "Open groups of files in the same window" are ticked. This is important.
1. Drag the folder containing all the images for the Timelapse onto Preview's icon.
2. After Preview opens all the images in one window hit Command + A to highlight them all.
3. Goto Tools > Adjust Size… and type in the resize you want or need.
4. Hit Okay, and wait for Preview to do it's thing.
5. Hit either "Save All…" or "Save As…" as per your need.
Done.
Monday, May 16, 2011
How To Create A Timelapse with Quicktime Without A Black Screen
We've been shooting some timelapse with a Nikon D7000 and the stills are .NEF files which Photoshop CS4 doesn't like and apparently there's no update to open these particular files so yeah, there's that. Photoshop requires that it be CS5 to open the D7000's .NEF files. Thanks Adobe!
So the basic workflow for these sorts of Timelapse is this:
1. Shoot with the intervelometer setting on the still camera.
2. Bring the stills into the Mac (either while shooting or load them in afterwards).
2a. Monkey with them in your image editor of choice. (Optional)
3. Launch Quicktime Player 7.
4. Hit Shift + Command + O (letter o) and select the first image in the sequence and hit Open (Return). This is "Open Image Sequence…"
5. Let Quicktime Player do it's thing then Export it to the format of your choice.
Done.
However…I noticed an interesting quirk in all this while assembling timelapses from the Nikon D7000.
A native .NEF file from the D7000 is 4928 x 3264, and while you can open them willy-nilly with Preview and Aperture, Quicktime Player 7 really doesn't like them because they are rather large. You'll see a black screen. Converting them to something else, like a .TIFF doesn't seem to help.
So I tried an experiment to see what the maximum size is that Quicktime Player 7 can handle by opening the .NEF file in Preview and making it a bit smaller then saving it as a .TIFF and found that (for me at least on this one Mac) 41% reduction works.
42% didn't.
2020 x 1338 will open in Quicktime Player 7 while 2070 x 1371 will not.
So in order to load them into Quicktime Player 7 as an image sequence you'll need to reduce them by 41% en masse.
A TRICK:
A workaround to this is to use a little-known keyboard command in Quicktime Player 7: Option + Resize.
Open your image sequence as you would normally, as outlined above. If you see a black screen don't panic. Hold down Option and Resize the window to a size you like. Resizing the window with Option held down steps the resizing to multiples of the original frame size.
Once you get the Quicktime Player 7's window to screen size go ahead and make the quicktime movie despite it appearing as a black frame; the output video will have an image.
Keep in mind when you hit Export in QT7 you can then hit Options and then hit Size... and choose from a pre-selected list of commonly used sizes. Since these are smaller than the gigantic images you've imported as an image-sequence your video won't be a black screen once it's finished exporting.
UPDATE:
I've been messing around with timelapses again and discovered you can use the very handy MPEG Streamclip to make timelapses as well (even though the image size bug will still exist with MPEG Streamclip.
1. Launch MPEG Streamclip.
2. Highlight all your timelapse images and drag them into MPEG Streamclip's main window. NOTE: You may just see a neon-green image preview in MPEG Streamclip. Don't Panic. (also if you have a large number of images this can take a long long time)
3. In MPEG Streamclip's menu head to Export to Quicktime...
4. Select the size you'd like for the video. I tend to choose 1920x1080 (HDTV 1080i) because as I found out above the max image size for a image sequence in Quicktime is about 2020x1338.
5. Hit Make Movie and tell it where to save it.
Note: For some reason the "Options..." button in MPEG Streamclip will not do anything some of the time.
Another option is to hit Export to Other Formats and then hit the Options... button and select your frame rate.
So the basic workflow for these sorts of Timelapse is this:
1. Shoot with the intervelometer setting on the still camera.
2. Bring the stills into the Mac (either while shooting or load them in afterwards).
2a. Monkey with them in your image editor of choice. (Optional)
3. Launch Quicktime Player 7.
4. Hit Shift + Command + O (letter o) and select the first image in the sequence and hit Open (Return). This is "Open Image Sequence…"
5. Let Quicktime Player do it's thing then Export it to the format of your choice.
Done.
However…I noticed an interesting quirk in all this while assembling timelapses from the Nikon D7000.
A native .NEF file from the D7000 is 4928 x 3264, and while you can open them willy-nilly with Preview and Aperture, Quicktime Player 7 really doesn't like them because they are rather large. You'll see a black screen. Converting them to something else, like a .TIFF doesn't seem to help.
So I tried an experiment to see what the maximum size is that Quicktime Player 7 can handle by opening the .NEF file in Preview and making it a bit smaller then saving it as a .TIFF and found that (for me at least on this one Mac) 41% reduction works.
42% didn't.
2020 x 1338 will open in Quicktime Player 7 while 2070 x 1371 will not.
So in order to load them into Quicktime Player 7 as an image sequence you'll need to reduce them by 41% en masse.
A TRICK:
A workaround to this is to use a little-known keyboard command in Quicktime Player 7: Option + Resize.
Open your image sequence as you would normally, as outlined above. If you see a black screen don't panic. Hold down Option and Resize the window to a size you like. Resizing the window with Option held down steps the resizing to multiples of the original frame size.
Once you get the Quicktime Player 7's window to screen size go ahead and make the quicktime movie despite it appearing as a black frame; the output video will have an image.
Keep in mind when you hit Export in QT7 you can then hit Options and then hit Size... and choose from a pre-selected list of commonly used sizes. Since these are smaller than the gigantic images you've imported as an image-sequence your video won't be a black screen once it's finished exporting.
UPDATE:
I've been messing around with timelapses again and discovered you can use the very handy MPEG Streamclip to make timelapses as well (even though the image size bug will still exist with MPEG Streamclip.
1. Launch MPEG Streamclip.
2. Highlight all your timelapse images and drag them into MPEG Streamclip's main window. NOTE: You may just see a neon-green image preview in MPEG Streamclip. Don't Panic. (also if you have a large number of images this can take a long long time)
3. In MPEG Streamclip's menu head to Export to Quicktime...
4. Select the size you'd like for the video. I tend to choose 1920x1080 (HDTV 1080i) because as I found out above the max image size for a image sequence in Quicktime is about 2020x1338.
5. Hit Make Movie and tell it where to save it.
Note: For some reason the "Options..." button in MPEG Streamclip will not do anything some of the time.
Another option is to hit Export to Other Formats and then hit the Options... button and select your frame rate.
Labels:
image sequence,
nikon d7000,
quicktime pro,
timelapse
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